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登録タグ これはひどい グロ ホラー 個人差が分かれやすいワード 危険度3 音楽 黙読注意 アメリカのラッパーであるカニエ・ウェスト氏のインスタに「my life was never easy(私の人生は易しいものではない)」というコメント付きでグロ画像が投稿された。皮を剥いだ猿と思しき画像がヒットする為注意。 + ちなみに この画像は同じくアメリカのラッパーであるThe Game氏も投稿している。実はこの投稿は後日発表されるThe Game氏とカニエ・ウェスト氏のコラボ楽曲である「Eazy」の宣伝かつカバーアートの発表をするための投稿であった。 また、この画像はイギリスのフォトデザイナーであるNick Knight氏が2013年に発表したシリーズ「WAR」に関するTumblr上での説明会において使用した画像の背景を赤色に変更したものである。 分類：グロ、ホラー 危険度：3※ (人によっては2〜4まで変動する) コメント 初見で見るとガチでビビる。 -- 六波羅探題 (2022-02-02 16 20 00) 個人差が大きそうな画像だな... -- ゲーム太郎 (2022-02-02 16 28 28) 2ではないだろこれ -- 名無しさん (2022-02-02 16 38 15) 可哀想なやつかと思ったらホラー系かよ -- ナイル (2022-02-02 17 28 38) 2にしては強くないか？ -- 名有りさん (2022-02-02 17 43 58) ↑それな。危険度詐称だと思う -- 名無しさん (2022-02-02 21 03 37) カニエ・ウェストのファンはどう思ったんだこれ -- 名無しさん (2022-02-03 16 19 40) え、危険度2…？ -- 名無しさん (2022-02-03 17 38 10) 顔が怖い…これは危険度3でも良いと思う。 -- 野良猫 (2022-02-06 10 43 00) きついね -- 名無しさん (2022-02-12 08 19 19) 結構くるぞこれ -- 名無しさん (2023-01-21 09 13 37) 作り物だ…これは絶対に作り物だ… -- 名無しさん (2023-05-19 20 39 21) カバージャケットみたいだけど… -- 名無しさん (2023-05-19 20 41 35) 名前 コメント
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曲名 アーティスト フォルダ 難易度 BPM NOTES/FREEZE(SHOCK) Prettiful! BlackY A3 踊10 129 304/0 STREAM VOLTAGE AIR FREEZE CHAOS 53 42 27 0 18 踊譜面(10) / 激譜面(15)? 譜面 動画 https //www.youtube.com/watch?v=aYZLVI-dEIc (1P x3.5, NOTE) 解説 2022/9/8追加。イベント「DANCE aROUND × DanceDanceRevolution ～2022夏のMUSIC CHOICE!～」のPhase 1で解禁できるDANCE aROUNDからの移植曲。 登場時点でPhase 1は終了しており、新規解禁は不可能。 登場時点でDANCE aROUNDではEXTRA STAGE専用曲。 コメント コメント(感想など) 最新の10件を表示しています。コメント過去ログ?
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(加わろうかな…) と、その時 ゴゴン！ ラピュタが浮上し、大きく傾いた！ 夜神月のみダクトから転落死。哀れ。 【夜神月＠DEATH NOTE 死亡確認】 皆の思考が混乱している。 と、その時 グゴオーン！ ラピュタの雷が落ちた。ラピュタが正常な向きになった。 その直後、一度目の墜落で損傷していたラピュタが再び墜落、島に不時着した瞬間崩壊が始まった。 【剛田武(アニメ版)＠ドラえもん 死亡確認】 【巴マミ＠魔法少女まどか☆マギカ 死亡確認】 【野比のび太＠ドラえもん 死亡確認】 死因：圧死 【T-880＠ターミネーターシリーズ 死亡確認】 【味吉陽一＠ミスター味っ子 死亡確認】 【堺一馬＠ミスター味っ子 死亡確認】 【中江兵太＠ミスター味っ子 死亡確認】 【劉虎峰＠ミスター味っ子 死亡確認】 【柊かがみ＠らき☆すた 死亡確認】 【アサシン＠fate 死亡確認】 【鹿目まどか＠魔法少女まどか☆マギカ 死亡確認】 【暁美ほむら＠魔法少女まどか☆マギカ 死亡確認】 【桂言葉＠School Days 死亡確認】 【源静香＠ドラえもん 死亡確認】 【骨川スネ夫＠ドラえもん 死亡確認】 【剛田武(漫画版)＠ドラえもん 死亡確認】 死因：ラピュタにつぶされ圧死 残った上条とT-1000はラピュタに乗り込んだ。
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http //www.missmonday.com/ Beautiful Beautiful 2010年6月23日 ( HD ) 1. B.E.A.U.T.I.F.U.L. / 2. Life Is beautiful [ feat. キヨサク from MONGOL800, Salyu, Shock Eye from 湘南乃風 ] / 3. あなたに出会って [ feat. Yu-A ] / 4. さよなら [ feat. 菅原紗由理 ] / 5. Take It Easy / 6. 雪ノ降ル街デ [ feat. Hokt from N.C.B.B ] / 7. 止まらない涙が、君を困らせる / 8. 本当は今でも ・・・ II [ feat. Dabo ] / 9. ウエディングバラード / 10. バスタブ [ feat. Mayula ] / 11. Rainbow Girl / 12. 東京 / 13. 軌跡 / 14. The Light [ feat. Kj from DRAGON ASH, 森山直太朗, Pes from RIP SLYME / 90 s Hiphop remix ] / 15. ウエディングバラード [ instrumental ]
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BardSyrupをお気に入りに追加 BardSyrupのリンク #bf Amazon.co.jp ウィジェット BardSyrupの報道 gnewプラグインエラー「BardSyrup」は見つからないか、接続エラーです。 BardSyrupとは BardSyrupの54%は濃硫酸で出来ています。BardSyrupの43%は下心で出来ています。BardSyrupの2%は電波で出来ています。BardSyrupの1%はカテキンで出来ています。 BardSyrup＠ウィキペディア BardSyrup Amazon.co.jp ウィジェット 掲示板 名前（ＨＮ） カキコミ すべてのコメントを見る ページ先頭へ BardSyrup このページについて このページはBardSyrupのインターネット上の情報を集めたリンク集のようなものです。ブックマークしておけば、日々更新されるBardSyrupに関連する最新情報にアクセスすることができます。 情報収集はプログラムで行っているため、名前が同じであるが異なるカテゴリーの情報が掲載される場合があります。ご了承ください。 リンク先の内容を保証するものではありません。ご自身の責任でクリックしてください。
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Super Eurobeat Vol.215(通常盤) 発売元：Avex Trax 発売日：2011.06.01 商品型番：AVCD-10215 ■概要 Avex Traxが2011年に発売した「Super Eurobeatシリーズ」の第215作目。 ■トラックリスト トラック番号 曲名 アーティスト名 収録時間 補足 1 Power Two Hotblade 4 06 2 No Turning Back Tora 4 54 3 Skylight Dave Rodgers 4 41 4 Maximisin Alix 4 23 5 Are You Ready To Fly Dream Fighters 4 41 6 Love Is Like A Rain Delta Queens feat. Paul Harris 4 41 7 Mecha Fireball Jeff Driller 5 13 8 Time Of Fighters Luke 4 59 9 I ll Fly Candy More 4 55 10 Dancin Togather Christine 3 55 11 Shalaka Boom Boris 5 06 12 Beautiful Boy Heather 4 58 13 Tower Of Love Cindy Cy-ro 4 46 14 Sunrise ～You ll Always Be Alive～ David Dima 5 33 15 Doctor Doctor (Healing Eurogrooves Remix) Lisa Johnson 5 10
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Japan 10 songs English Page： Japan 10 songs / Hungary 10 songs / Taiwan 10 songs Japanese page： 日本の10曲 / ハンガリーの10曲 / 台湾の10曲 Theme of Lupin Ⅲ/ from "Lupin III" (ANIME/Instrumental) LINDA LINDA / THE BLUE HEARTS (ROCK/MAN) Momen no Hankachihu (Cotton Handkerchief) / Ota Hiromi (Old J-POP/WOMAN) Zankoku na Tenshi no Thesis (Thesis of merciless Angel) / from "Neon Genesis EVANGERION" (ANIME/WOMAN) RUNNER / BAKUFU-SLUMP (J-POP/MAN) Akatonbo(Red dragonfly) / Miki Rofu, Yamada Kousaku (Song for children/WOMAN) Konayuki(Powder Snow) / Remioromen (J-POP/MAN) Help me, ERINNNNNN!! / COOL CREATE Makenaide(Don t lose out) / ZARD (J-POP/WOMAN) Jidai(The Time) / Nakajima Miyuki (Old J-POP/WOMAN) 01.from "Lupin III" - Theme of Lupin III [1978, 2001] hanocha5629.jpg "Lupin III" is very famous comic and anime series since 1971. The anime was made for adult audiences in the age that "anime" had been thought for kids. So this series is supported by all generations widely. This anime s hero Lupin, the grandson of the phantom thief Arsene Lupin, always makes troubles with the Mafia or the police for treasures all over the world. Lupin is clown person stuck on money and women and far to the hero or the ally of the justice. However, the slap sticks which he and his unique fellows and the funny policeman chasing Lupin cause are very very enchanting viewers. This opening theme is loved many japanese and covered by many pro artists. Please enjoy and have a fun the playing by Tokyo Ska Paradise Orchestra, the popular ska band. 02.THE BLUE HEARTS - LINDA LINDA [1987] hanocha5628.jpg The Blue Hearts (1985 - 1995) was most successful and influential Japanese punk rock band. They got charismatic popurality for straightforward lyric, catchy melody and unique perfomance. First they wrote stinging lyrics that criticize hypocrisy of adults and society. But, they turns to write abstract and meaningless lyrics as they aged. After breaking up, the core members of the band, Kōmoto Hiroto and Mashima Masatoshi, formed another band together, and remain to be the great Rock n Roller. But many songs they left in their early period are eternal standard for youth. Their major debut single "LINDA LINDA", which is one of most well-known songs of them, starts from the impressive phrase. "I wanna be beautifule like a water rat. He s got beauty you can t see in a picture". Their message is simple, but strong. Don t think.FEEL! English Translation Clcik here to open tranlation!!! Linda Linda) I wanna be beautiful like a water rat He s got beauty you can t see in a picture Linda Linda If I see you and have a talk Please catch the meaning of love Linda Linda Just like a water rat, nicer than anyone else Just like a water rat, warmer than anyone else Linda Linda If I see you and have a talk Please catch the meaning of love Even though it may not be love, I ll never leave you I ll get power, the only power nothing can beat Linda Linda 03.Ota Hiromi - Momen no Hankachihu(cotton handkerchief) [1975] hanocha5632.jpg This song "Momen No Hankachihu (cotton handkerchief)" is featured light melody and very affecting lyric, and is the one of the most representative hit song of 1970 s from Japan. The lyric is about a couple of lovers of a young man who is going to have gone to a big city for a job and a young woman who will be left. The man hopes the woman to watch him changing to an elegant and urbanized man, but she only wishes him to stay with himself. When the time to say good bye has come, she ask him for a cotton handkerchief to wipe her tears. The song has been covered by several artists including Spitz and Shiina Ringo, and has been loved over generations for 30 years since it has cut. English Translation Clcik here to open tranlation!!! Momen no Handkerchief ( A Cotton Handkerchief ) [Man] Oh my love, I m going on on a journey leaving on an eastbound train In the lit-up city, I plan to spend my time searching, searching for something to give you [Woman] No, dear, There s nothing I want. Except for you to come back not dyed in city colors not dyed in city colors [Man] Oh my love, half a year has passed We haven t seen each other, but please don t cry. I m sending you a ring that s fashionable in town right now It suits you, it suits you, as it should [Woman] No, even diamonds of the stars Even pearls sleeping in the sea I m sure nothing but your kiss could surpass their shine could surpass their shine [Man] Oh my love, you re still innocent You don t even wear lipstick, do you? You might not recognize me Look at this photograph of me dressed in a fancy suit [Woman] No, I liked the sight of you lying in the grass But now you re in a cold city blowing winty wind Please take care of yourself Please take care of yourself [Man] Oh my love, I m forgetting you Please forgive me for changing Every day I m happy spending my time on street corner I can t, I can t return home [Woman] Dear, I have just one last request To wipe my tears send me a cotton handkerchief, please send me a cotton handkerchief, please 04.from "Neon Genesis EVANGERION" - Zannkoku na Tenshi no Teze(Thesis of merciless Angel) [1995] hanocha5626.jpg This song is main theme of anime "Neon Genesis EVANGELION". Its plot is that juveniles pilot the super robots and fight against with invader. The anime is features fresh vision and draws characters agonies, and became very popular at the last of 20th century gave big influences to the following entertainment works. The title of this song means "Thesis of merciless Angel" in English. The lyrics has the implication of myths and philosophies. 05.BAKUFU-SLUMP - RUNNER [1988] hanocha5634.jpg "RUNNER" is one of the most famous song of BAKUFU-SLUMP, the popular band in 80 s-90 s. In their unaffected works, especially this song and lyric catch our hearts directly. It is said that the vocal Nakano wrote the lyric for his band member leaving the band. In the lyric, a young boy fills himself with the regret that could not stop someone leaving, then he keep running. He only can keep running. Youthful days is something silly, but so bright. We never be able to turn back the time. "We are running and running, without wiping sweats." 06.Miki Rofu, Yamada Kousaku - Akatonbo(Red dragonfly) [1921] hanocha5631.jpg "Akatonbo" is written by Miki Rofu, composed by Yamada Kousaku in 1927. "Akatonbo", the song written for children, takes Japanese hearts right back to childhood days. This nostalgic song was written when the author saw a red dragonfly sitting on a pole. He suddenly remembered days when he was looking up dragonfly, riding on baby-sitter s back. With simple lylics and tunes, we remember sweet memories and some sort of loneliness. Yamada Kosaku (1886 - 1965) who wrote this song was the one of the first Japanese musicians who attain the fame in Western world. He composed many song suit for Japanese language and sentiment, and "Aka-tombo" is most well known and loved song for Japanese. English Translation http //www.hfc-south.com/11shousho/260.html 07.Remioromen - Konayuki(Powder Snow) [2005] hanocha5630.jpg "Konayuki(Powder Snow)" by Remioromen was used for the intermission theme song of drama "1 Litre of Tears(A iary with Tears)" and became popular among mainly 10 s or 20 s agers before the CD released. It is the 2nd grade hit of the ORICON chart in 2006, the Japanese biggest chart of CD sales. This song is singing about a fragile relation of young lovers comparing to powder snow. They sometimes get wrong or feel lonely although they truly love each other. Besides the song s great popularity at general scenes, it is also famous at VIP board and NICONICO VIDEO as "barrage song". That emotional vocal of the refrain caught them, and now when they hear it, they write comments like barrage and get heat as follows... Konaaaaaaaaaaaaaaaaaaaaayukiiiiiiiiiiiiiiiiiiiiiiiiiiiiii!!!!!!!!!!!!!!!!!!!!!!!!!! 08.COOL CREATE - Help me, ERINNNNNN!! [2004] hanocha5627.jpg This is an arrangement of "Taketori-Hishou(Fly of Bamboo Princess)", a song of amature game series "Touhou series". There are a woman named Yagokoro Erin and a her mistress named princess Horaisan Kaguya as the game character. Since an part of Kaguya s song "Taketori-Hishou" sounds like saying "ERIN, ERIN", the comic song "Help me, ERINNNNNN!!" that Kaguya is asking help for Erin was born and hitted at VIP board and NICONICO VIDEO. The opening dialogue of "Help me, ERINNNNNN!!" is coaching a gesture that swing the right hand up-down powerfully and powerfully. So among Vippers and Nico-users hearing this tune, accelerating with this AA is a promise. 09.ZARD - Makenaide(Don t lose out) [1993] hanocha5625.jpg ZARD is a popular group that centers on female Singer Sakai Izumi in 90 s. The group has a mysterious aspect where they rarely expressed themselves to media while creating a lot of hits. This song is the typical hit of ZARD, and repeatedly calling "Makenaide(Don t lose out)" to a person who lives in bitter days. In the charity marathon played every year, it is known as a song to encourage the runner. Sakai Izumi passed away in an accident in May this year. However, her song will continue to teach us the importance of keeping running to the last minute for a long time in the future. 10.Nakajima Miyuki - Jidai(The Time) [1975] hanocha5633.jpg Nakajima Miyuki is a female singer songwriter since 1975. She is really big artist known by strong voice and pregnant lyrics, and just achieved so long-time seller in 00 s. This number "Jidai(The Time)" is her early masterpiece which sings that the time goes around again and again. If now you have a bitter or sadness or farewell, the joy and new encounter would come again. If you stop your step today, you would be able to walk tomorrow. The time goes around in this way.
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CHAPTER XXII UP CHAPTER XXIV CHAPTER XXIII Anne Comes to Grief in an Affair of Honor Anne had to live through more than two weeks, as it happened. Almost a month having elapsed since the liniment cake episode, it was high time for her to get into fresh trouble of some sort, little mistakes, such as absentmindedly emptying a pan of skim milk into a basket of yarn balls in the pantry instead of into the pigs bucket, and walking clean over the edge of the log bridge into the brook while wrapped in imaginative reverie, not really being worth counting. A week after the tea at the manse Diana Barry gave a party. "Small and select," Anne assured Marilla. "Just the girls in our class." They had a very good time and nothing untoward happened until after tea, when they found themselves in the Barry garden, a little tired of all their games and ripe for any enticing form of mischief which might present itself. This presently took the form of "daring." Daring was the fashionable amusement among the Avonlea small fry just then. It had begun among the boys, but soon spread to the girls, and all the silly things that were done in Avonlea that summer because the doers thereof were "dared" to do them would fill a book by themselves. First of all Carrie Sloane dared Ruby Gillis to climb to a certain point in the huge old willow tree before the front door; which Ruby Gillis, albeit in mortal dread of the fat green caterpillars with which said tree was infested and with the fear of her mother before her eyes if she should tear her new muslin dress, nimbly did, to the discomfiture of the aforesaid Carrie Sloane. Then Josie Pye dared Jane Andrews to hop on her left leg around the garden without stopping once or putting her right foot to the ground; which Jane Andrews gamely tried to do, but gave out at the third corner and had to confess herself defeated. Josie s triumph being rather more pronounced than good taste permitted, Anne Shirley dared her to walk along the top of the board fence which bounded the garden to the east. Now, to "walk" board fences requires more skill and steadiness of head and heel than one might suppose who has never tried it. But Josie Pye, if deficient in some qualities that make for popularity, had at least a natural and inborn gift, duly cultivated, for walking board fences. Josie walked the Barry fence with an airy unconcern which seemed to imply that a little thing like that wasn t worth a "dare." Reluctant admiration greeted her exploit, for most of the other girls could appreciate it, having suffered many things themselves in their efforts to walk fences. Josie descended from her perch, flushed with victory, and darted a defiant glance at Anne. Anne tossed her red braids. "I don t think it s such a very wonderful thing to walk a little, low, board fence," she said. "I knew a girl in Marysville who could walk the ridgepole of a roof." "I don t believe it," said Josie flatly. "I don t believe anybody could walk a ridgepole. YOU couldn t, anyhow." "Couldn t I?" cried Anne rashly. "Then I dare you to do it," said Josie defiantly. "I dare you to climb up there and walk the ridgepole of Mr. Barry s kitchen roof." Anne turned pale, but there was clearly only one thing to be done. She walked toward the house, where a ladder was leaning against the kitchen roof. All the fifth-class girls said, "Oh!" partly in excitement, partly in dismay. "Don t you do it, Anne," entreated Diana. "You ll fall off and be killed. Never mind Josie Pye. It isn t fair to dare anybody to do anything so dangerous." "I must do it. My honor is at stake," said Anne solemnly. "I shall walk that ridgepole, Diana, or perish in the attempt. If I am killed you are to have my pearl bead ring." Anne climbed the ladder amid breathless silence, gained the ridgepole, balanced herself uprightly on that precarious footing, and started to walk along it, dizzily conscious that she was uncomfortably high up in the world and that walking ridgepoles was not a thing in which your imagination helped you out much. Nevertheless, she managed to take several steps before the catastrophe came. Then she swayed, lost her balance, stumbled, staggered, and fell, sliding down over the sun-baked roof and crashing off it through the tangle of Virginia creeper beneath-- all before the dismayed circle below could give a simultaneous, terrified shriek. If Anne had tumbled off the roof on the side up which she had ascended Diana would probably have fallen heir to the pearl bead ring then and there. Fortunately she fell on the other side, where the roof extended down over the porch so nearly to the ground that a fall therefrom was a much less serious thing. Nevertheless, when Diana and the other girls had rushed frantically around the house--except Ruby Gillis, who remained as if rooted to the ground and went into hysterics--they found Anne lying all white and limp among the wreck and ruin of the Virginia creeper. "Anne, are you killed?" shrieked Diana, throwing herself on her knees beside her friend. "Oh, Anne, dear Anne, speak just one word to me and tell me if you re killed." To the immense relief of all the girls, and especially of Josie Pye, who, in spite of lack of imagination, had been seized with horrible visions of a future branded as the girl who was the cause of Anne Shirley s early and tragic death, Anne sat dizzily up and answered uncertainly "No, Diana, I am not killed, but I think I am rendered unconscious." "Where?" sobbed Carrie Sloane. "Oh, where, Anne?" Before Anne could answer Mrs. Barry appeared on the scene. At sight of her Anne tried to scramble to her feet, but sank back again with a sharp little cry of pain. "What s the matter? Where have you hurt yourself?" demanded Mrs. Barry. "My ankle," gasped Anne. "Oh, Diana, please find your father and ask him to take me home. I know I can never walk there. And I m sure I couldn t hop so far on one foot when Jane couldn t even hop around the garden." Marilla was out in the orchard picking a panful of summer apples when she saw Mr. Barry coming over the log bridge and up the slope, with Mrs. Barry beside him and a whole procession of little girls trailing after him. In his arms he carried Anne, whose head lay limply against his shoulder. At that moment Marilla had a revelation. In the sudden stab of fear that pierced her very heart she realized what Anne had come to mean to her. She would have admitted that she liked Anne--nay, that she was very fond of Anne. But now she knew as she hurried wildly down the slope that Anne was dearer to her than anything else on earth. "Mr. Barry, what has happened to her?" she gasped, more white and shaken than the self-contained, sensible Marilla had been for many years. Anne herself answered, lifting her head. "Don t be very frightened, Marilla. I was walking the ridgepole and I fell off. I expect I have sprained my ankle. But, Marilla, I might have broken my neck. Let us look on the bright side of things." "I might have known you d go and do something of the sort when I let you go to that party," said Marilla, sharp and shrewish in her very relief. "Bring her in here, Mr. Barry, and lay her on the sofa. Mercy me, the child has gone and fainted!" It was quite true. Overcome by the pain of her injury, Anne had one more of her wishes granted to her. She had fainted dead away. Matthew, hastily summoned from the harvest field, was straightway dispatched for the doctor, who in due time came, to discover that the injury was more serious than they had supposed. Anne s ankle was broken. That night, when Marilla went up to the east gable, where a white-faced girl was lying, a plaintive voice greeted her from the bed. "Aren t you very sorry for me, Marilla?" "It was your own fault," said Marilla, twitching down the blind and lighting a lamp. "And that is just why you should be sorry for me," said Anne, "because the thought that it is all my own fault is what makes it so hard. If I could blame it on anybody I would feel so much better. But what would you have done, Marilla, if you had been dared to walk a ridgepole?" "I d have stayed on good firm ground and let them dare away. Such absurdity!" said Marilla. Anne sighed. "But you have such strength of mind, Marilla. I haven t. I just felt that I couldn t bear Josie Pye s scorn. She would have crowed over me all my life. And I think I have been punished so much that you needn t be very cross with me, Marilla. It s not a bit nice to faint, after all. And the doctor hurt me dreadfully when he was setting my ankle. I won t be able to go around for six or seven weeks and I ll miss the new lady teacher. She won t be new any more by the time I m able to go to school. And Gil-- everybody will get ahead of me in class. Oh, I am an afflicted mortal. But I ll try to bear it all bravely if only you won t be cross with me, Marilla." "There, there, I m not cross," said Marilla. "You re an unlucky child, there s no doubt about that; but as you say, you ll have the suffering of it. Here now, try and eat some supper." "Isn t it fortunate I ve got such an imagination?" said Anne. "It will help me through splendidly, I expect. What do people who haven t any imagination do when they break their bones, do you suppose, Marilla?" Anne had good reason to bless her imagination many a time and oft during the tedious seven weeks that followed. But she was not solely dependent on it. She had many visitors and not a day passed without one or more of the schoolgirls dropping in to bring her flowers and books and tell her all the happenings in the juvenile world of Avonlea. "Everybody has been so good and kind, Marilla," sighed Anne happily, on the day when she could first limp across the floor. "It isn t very pleasant to be laid up; but there is a bright side to it, Marilla. You find out how many friends you have. Why, even Superintendent Bell came to see me, and he s really a very fine man. Not a kindred spirit, of course; but still I like him and I m awfully sorry I ever criticized his prayers. I believe now he really does mean them, only he has got into the habit of saying them as if he didn t. He could get over that if he d take a little trouble. I gave him a good broad hint. I told him how hard I tried to make my own little private prayers interesting. He told me all about the time he broke his ankle when he was a boy. It does seem so strange to think of Superintendent Bell ever being a boy. Even my imagination has its limits, for I can t imagine THAT. When I try to imagine him as a boy I see him with gray whiskers and spectacles, just as he looks in Sunday school, only small. Now, it s so easy to imagine Mrs. Allan as a little girl. Mrs. Allan has been to see me fourteen times. Isn t that something to be proud of, Marilla? When a minister s wife has so many claims on her time! She is such a cheerful person to have visit you, too. She never tells you it s your own fault and she hopes you ll be a better girl on account of it. Mrs. Lynde always told me that when she came to see me; and she said it in a kind of way that made me feel she might hope I d be a better girl but didn t really believe I would. Even Josie Pye came to see me. I received her as politely as I could, because I think she was sorry she dared me to walk a ridgepole. If I had been killed she would had to carry a dark burden of remorse all her life. Diana has been a faithful friend. She s been over every day to cheer my lonely pillow. But oh, I shall be so glad when I can go to school for I ve heard such exciting things about the new teacher. The girls all think she is perfectly sweet. Diana says she has the loveliest fair curly hair and such fascinating eyes. She dresses beautifully, and her sleeve puffs are bigger than anybody else s in Avonlea. Every other Friday afternoon she has recitations and everybody has to say a piece or take part in a dialogue. Oh, it s just glorious to think of it. Josie Pye says she hates it but that is just because Josie has so little imagination. Diana and Ruby Gillis and Jane Andrews are preparing a dialogue, called `A Morning Visit, for next Friday. And the Friday afternoons they don t have recitations Miss Stacy takes them all to the woods for a `field day and they study ferns and flowers and birds. And they have physical culture exercises every morning and evening. Mrs. Lynde says she never heard of such goings on and it all comes of having a lady teacher. But I think it must be splendid and I believe I shall find that Miss Stacy is a kindred spirit." "There s one thing plain to be seen, Anne," said Marilla, "and that is that your fall off the Barry roof hasn t injured your tongue at all." CHAPTER XXII UP CHAPTER XXIV 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 21 11 (Tue)
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